Two women lead the funeral of Jinrye, matriarch of Korea’s longest-running family of Pansori masters with a history spanning 300 years. 　　Her daughter, Chae-seon, is celebrated as the greatest master of our time and the guardian of the Pansori tradition, and the person standing beside her is the successor of the family heritage, So-ryeon, who dreams of a path that diverges from the family legacy. 　　The one who enjoys the glory created by the ancestors and the other one who seeks to escape the curse of the ancestors. 　　Finally, the different songs from each of them begin to resonate.

暂无剧情简介

졸업을 앞두고, 모든 걸 바쳤던 대학 내 반성폭력 운동을 다시 마주하고자 카메라를 들었다. 우리는 왜 '미투'를 지나왔지만 승리의 감각을 느끼지 못하는가? 우리가 지나 온 투쟁의 경험을 어떻게 남겨야 하는가? 그 고민에 대한 답을 함께 찾아가고자 했다. 영화에 담은 우리의 기록이 '미투'에 함께 했던 모든 사람들에게 위안과 위로가 되길 바란다.

Director Yeo Hong, who dreams of becoming the second Bong Joon-ho, and actor Joo Yeon, who dreams of becoming star are contacted by a film festival.

The director, who works as a contract worker at a major corporation, wants to become a permanent employee. One day she discovers an apple tree in front of the company building. She observes its growth day by day, and after four months of watching, she decides to secretly pick an apple, ripe and crimson, and take a bite. Why did she do it?

道镇答应与台湾同性恋人嘉浩结婚，并试图告诉家人。

Ji-young, a contract worker, clears out her belongings on her last day at work. Just before leaving, Tae-young from the HR team asks her to return her employee ID. Reluctant to give it up, Ji-young hesitates, but the company insists that the ID must be used by the next employee. In the end, she leaves the office with only trivial items, feeling a sense of lingering regret. However, at the bus stop, an urgent matter forces her to return to the company. Without her ID, she finds herself locked out and stuck at the entrance. Fortunately, with the help of a new female employee who is set to take her place, Ji-young manages to re-enter the building. Standing at the crossroads between departure and a new beginning, Ji-young confronts the complex emotions of transition.

Yeonseok, the head of a household, suffers from insomnia. The cause of his insomnia is the monster under the couch. People around him laugh, dismissing it as a nightmare that only children would fear. Even Yeonseok is unsure whether the monster is real or just a figment of his imagination. Then one day, Yeonseok comes face to face with the monster under the couch.

Taesan and Dongju are a long-time couple. As they prepare to move, they find an old sofa on the street and bring it home. Their cramped apartment, now filled with the sofa, the couple preparing for their move, and their dreams, are depicted with an air of detachment. The film captures their emotions with a unique rhythm, floating in the air.